A staple of the operatic repertoire, Beethoven’s only opera continues to be regularly revived and treated with respect by opera companies across the globe, and it’s easy to see why. Fidelio is rich in ...

This capsule review is greatly abbreviated from the full review that ran in The Santa Fe New Mexican immediately following the opening of the production. It has also been updated to reflect cast ...

The lowest point is the highest point in Washington National Opera’s new production of Beethoven’s “Fidelio.” Deep in Pizarro’s dungeon, a woebegone Florestan — powerfully sung by tenor Jamez McCorkle ...

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Garsington’s airy and luminous opera pavilion challenges any interpreter of a work so filled – dramatically and musically – with the subterranean darkness of buildings, of institutions, and of the ...