Maggie Gyllenhaal, Bride and Frank
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Box office preview for the first weekend of March 2026 shows 'Hoppers' leading with $88M worldwide and 'The Bride!' with around $40M WW.
Among all the directorial debuts made by actors in this century, Maggie Gyllenhaal’s Elena Ferrante adaptation “The Lost Daughter” (2021) has a special place. Nominated for Oscars in Best Actress, Best Supporting Actress,
'The Bride!' is loosely inspired by Mary Shelley's novel 'Frankenstein.' The film starring Jessie Buckley and Christian Bale arrives in theaters Friday, March 6. Maggie Gyllenhaal's wildly imaginative movie puts a punk-rock twist on 'The Bride of Frankenstein.
Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC
Ambition can be a curse as much as a blessing. And it dooms The Bride!, a revisionist take on James Whale’s 1935 Universal horror classic that—with every flamboyant twirl, guttural scream, and punk-rock flourish—aims high and falls short.
On March 15, Jessie Buckley almost surely will be presented with the Academy Award for Best Actress for her terrific performance in last year’s “Hamnet.” ‘Hamnet’ review: ‘Nomadland’ director
Maggie Gyllenhaal's "The Bride!" puts a spin on a horror classic. And she found monster inspiration in a literary giant and a 1930s actress.
Meanwhile, Frankenstein’s monster (Christian Bale) has become so agonizingly lonely in his century of undead existence that he seeks out the eccentric Dr. Euphronius (a wonderfully wry Annette Bening).