Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s ...
The Bride! THE BRIDE! Conceptually, this seems very much like something I could get on board with: a mid-1930s Chicago-set, Mafia-tinged feminist update on the Frankenstein story, embellished with ...
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