The author said he'll be looking to both DC's James Gunn and Marvel's Kevin Feige as he brings the world of the Cosmere to Apple TV.
Screenplays like those from Memento and Mulholland Drive rank among the all-time greatest, proving that the 2000s were a golden age for screenwriting.
Peter Warren’s directorial debut, Kill Me, might not be the riotous dark comedy one might hope, but it works in a totally different way than you would expect.
In her Netflix series, Vladimir, Julia May Jonas attempts to tame the slippery characters and weighty themes in her novel.
Maggie Gyllenhaal’s follow-up to “The Lost Daughter” is an incomprehensible movie mash-up.
Whether through financial necessity or love of the game, Peter O’Toole worked all the way to the end of his life, and in that time, he made a few duds.
But wanting to discard some of the baggage and nepotism claims that can accompany such a lineage, young Nicolas decided he ...
Tim Heidecker and Gregg Turkington discuss 'On Cinema at the Cinema', the internet's most deranged movie review show.
One minute, an actor is everywhere — dominating the box office, making magazine covers, popping up on late-night shows — and the next, they’re gone.Whether it’s someone like Ke Huy Quan, who struggled ...
Neve Campbell anchors a decent slasher with solid kills and nostalgia, but weak motives and uneven writing hold it back.
This Sunday will be the biggest night of the year for Los Angeles: Tinseltown’s stars will turn out en masse for the Academy Awards at the Dolby Theatre on Hollywood Boulevard, to celebrate the magic ...
Not every Michael Mann movie is great, but he is nonetheless one of the most distinctive directors in Hollywood.
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