In an era where high-concept comedies often lean into surrealism and improvisational chaos, Pizza Movie attempts to carve out its own niche with a premise that ...

In this edition of Bollywood Billionaire, we trace how Amrish Puri rose from a ₹154 clerk’s salary to become Hindi cinema’s most powerful villain, turning screen menace, discipline, and smart property ...

Understanding the NAO Robot by Aldebaran. So, you’re curious about the NAO robot from Aldebaran? It’s a pretty interesting little machine, designed to be a humanoid robot that ...

Shakespeare’s The Tempest is a remarkable tale — part tragedy, part romance, part comedy, and entirely self-aware of its own theatricality. The narrative follows Prospero, a usurped Duke who conjures ...

Artificial intelligence is suddenly everywhere in gaming. Technology companies are pitching tools that promise to transform ...

Throughout the year, IndieWire asks cinematographers with films premiering at major festivals to tell us what formats, ...

The discovery is the first since 2013, when nine missing episodes were found in the storeroom of a television relay station ...

Steven Spielberg says he has never used AI in his films and believes the technology should not replace human creativity in filmmaking, speaking at SXSW 2026.

Atsushi Nishijima has photographed some of the biggest films of the past decade, capturing actors and crew members in between takes, sometimes at sensitive, stressful moments.

A dark, dazzling original vision and a bold, brave critique of modern America are set to dominate this year’s Academy Awards, but Aussie hopefuls Rose Byrne and Jacob Elordi look like they have their ...