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'War Machine's' Alan Ritchson and director Patrick Hughes on why they filmed the action flick like a horror movie (interview)
'I just wanted to make a film that was completely non-stop from start to end.' ...
Here are Stars and Stripes staffers’ thoughts on the 10 best picture Oscar nominees this year -- and one film that perhaps ...
Slanted provides a level-eyed look at race Hobbled by a modest budget, Amy Wang still manages to effectively deliver a pointed social satire with Slanted, a hybrid of The Substance and Mean Girls that ...
Travel Mexico Solo on MSN
The 20 scariest and most dangerous birds on Earth — including one that kills humans
Wondering about the most dangerous birds on Earth? We've compiled this list of the Top 20 scariest birds — some that have even attacked people.
Everyone loves a good fight, so movie history is full of classic title bouts. "King Kong vs. Godzilla," that's a fun one.
Space.com on MSN
'War Machine' succeeds where 'Transformers' fails, by making its giant robot feel real
Autobots, roll out – out of the way, that is, because War Machine is proving how to do human vs intergalactic machine conflict better.
The Jack Reacher star isn’t going to become the next Schwarzenegger if he stars in generic junk like this.
It's a yes to Pixar's latest ... and a no for Maggie Gyllenhaal's "The Bride." And if you need a good cry, "Hamnet" is now streaming.
While audiences flock to Alan Ritchson 's new Netflix movie War Machine, it seems like another military sci-fi title is attracting the spillover viewers. War Machine opened to mostly positive reviews ...
Game Rant on MSN
10 Most Perfect Isometric RPGs
Uncover the best isometric RPGs that gaming has to offer, ranked by their impeccable gameplay, unmatched storytelling, and ...
After launching less than a month ago on Steam to a ‘Very Positive’ response, Menace has just received its first Early Access roadmap.
Meanwhile, the Heights is starting a Catherine O'Hara tribute series this week with Home Alone. In notable new releases, we've got Maggie Gyllenhaal's brash The Bride! and Óliver Laxe's Cannes-lauded ...
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